Meaning of Ofun Meyi in the Diloggún
- When the awo sees this Ifá, he takes a mouthful of water, tilts his head back and blows the water upward so that it falls on his face, and the rest onto the okpuele, replacing it with another; all the closed roads are named except the one to the cemetery.
- This Oddun is feminine.
- She is the daughter of Oduduwa and of Essugbe.
- It is an oddun of mysteries.
- It can do everything, the good and the bad.
- It is the spirit of fire.
- It is called Oyi Fun.
- It represents the four roots of the world.
- Ofun is the mother and Ogbe is the father of the fourteen remaining meyis.
- Oragun (Ofun Meyi) is the one who raises the dead.
- It creates more than it liberates.
- It rules over the void and over space.
- It rules and commands everything that moves.
- Oragun is called the cat of Satan.
- It is a long-suffering Oddun.
- It represents the material sense.
- It is said that Baba Eyiogbe is the son of Oragun and of Olofin.
- It governs the laws of nature concerning men and women.
- Gray hairs are respected.
- One may not blow out candles or fan a fire.
- One must dress in white a great deal.
- Speaking here: Olofin, Oduduwa, Obatalá, Dada Bañani, Oggún, Nana Buruku, Shangó, Iboko, Azojuano.
- In this Ifá speaks an Arará Obatalá called Biñose.
- Here people speak softly in the house of Obatalá, who liked to drink.
- This Oddun is known by the name Ojifun Ologbo (the malign one).
- It is said to be an Oddun white with gray hairs.
- Oaths may not be broken.
- The gains and losses in business must be shared in equal parts.
- Here is born financial seriousness at the cost of life.
- Here was born the Alukin Ifá, that is, the handling of the inkinis to obtain the Oddun of Ifá.
- It marks the descent of Olofin to the earth.
- Candles are not put out by blowing on them, for that takes away life.
- It killed the wife of Olofin.
- This is where the mortuary oaths are sworn, and it is heaven that judges and passes sentence on whoever breaks them.
- It determines that the sick person will not die, but that someone who was not going to die, and whose death no one expected, did die.
- Oragun, out of hatred, went so far as to cast sorcery upon his own family.
- It marks: strange phenomena, powders, sorcery, death, curses, riches.
- The word, the voice.
- Eggs that burst.
- A tumultuous Oddun of deep meaning and of danger, for it represents life and death.
- ¡Maferefun Eggun, Obatalá, Orunmila, Oyá ati Orun!
- The owners of this Oddun of Ifá have the power to speak directly with death and with life.
- They are troublesome, intransigent, capricious, violent.
- Through violence they lose everything.
- They may not keep bottles, or anything empty and uncovered, in their house.
- They may not drink alcoholic beverages of any kind, for that would be their ruin.
- They suffer from the liver and the heart, and from shortness of breath.
- They want to do everything their own way, and so they bring great problems upon themselves.
- They are not sentimental and live their lives materially, for one thing matters to them as much as another.
- Their foundation is that they set themselves a line to follow and do not easily depart from it.
- They do not weep in adversity nor lament anything, for they accept such things as a natural part of life.
- Their dealings with other people are excellent in the highest degree.
- They do not like deceit, yet they are tricky and somewhat glib; but when they speak seriously, they are believable and worthy of trust.
- They are good spiritists and know everything, for at night they speak with the dead, or the dead speak to them and provide them with whatever they wish to know or see.
- Death is always at their feet, for she is their inseparable friend.
- They love the dead above all, for they do not trust the living.
- They are distrustful in the extreme because they find no sincerity in people, so they live apart from everyone and, for this reason, have no joys.
- To earn their friendship one must be utterly straight with them, for they have the gift of reading the thoughts of those they deal with before those people even speak.
- They like solitude and tranquility and, for secret reasons of their inner self, they aspire and strive to live a mystical life, different from the lives others lead.
- They are restless and willful, they like to rule over others and grow annoyed when they do not succeed.
- When you were young, others tried to ridicule you, but when you are old you will be powerful and respected.
- All serve you and fear you for your store of wisdom.
- There is a child with very beautiful eyes whom people look at a great deal; take care that he does not die.
- You are capricious.
- There is an invisible light or radiation that is doing you harm, such as alpine light, X-rays, and the like.
- Great care must be taken with the radiation from those investigative devices.
- Lit candles in your house must not be allowed to burn down completely, nor may you put them out by blowing with your mouth.
- For sixteen days, light two candles to Obatalá for a while each day, and afterward take all that wax to a thicket.
- Here is born the rule that only in itá and in itoye is the basin brought to the table by the apetevi.
- After all the awoses have washed their hands in the basin, she carries the basin before the oba, he prays over it, and she drinks a little of that water, by which she gains ten years of life in health.
- The money the apetevi earns in this ceremony may only be spent on the Saint.
- She should buy flowers, fruits, some adornment, and so on.
- Here was born the secret that the babalawo cannot keep the money he earns through Ifá, because it sets him back — and moreover, that money cannot be left as an inheritance to his children.
- It speaks of an ikoko of an abandoned prenda. Here abo is given to the guiding, protective eggun and afterward the person concerned is given a bath of efun. The godchild of Ikú (death) — she led him before an Iroko tree.
- Shangó is the owner of the land and dresses in corn husks.
- Obatalá grew tired of riding bareback and withdrew from the world, leaving only the door of the cemetery open.
- In an osode for illness, if this Oddun comes out as Toyale, it announces a long illness that nevertheless has a remedy.
- But if it comes out in the last witness, that person’s death is certain and inevitable.
- When in an osode you see Oragun as Toyale and, behind it, your own sign of Ifá, do nothing for that person and least of all make Ifá for them, because Orunmila is warning you that that person will be your destruction.
When this Oddun is seen in the awo’s house, the Okpele is handed to a maiden so that she may carry it to the door; there she places it on the floor behind Shilekun and from there drags it along the floor to where the awo is, and hands it to him. If there is no maiden, the awo takes a mouthful of water and holds it in his mouth, holds the Okpele in his hands as if imploring heaven, and blows the water out of his mouth so that it falls on his face and on the Okpele, immediately replacing it with another.
For the obini to whom this Ifá comes out, so that she does not run into trouble with the law, ebó is made with three white handkerchiefs and shiribata (millet spike), and for seven days she will wear those handkerchiefs on her leri. Two itanas are lit for Olofin. An omiero is made of ewe tete, ewe ayo (curse-remover), coconut water, goat’s or cow’s milk, orí and efun. Once the omiero is prepared, the person concerned is cleansed with two eyele fun fun, and with these eyerbale is given to their whole ara; immediately afterward they bathe in the omiero. Everything is gathered up, placed in a white cloth and taken to the river.
Through this Ifá an akuko is given to Elegbá, two eyele to Oggún and two adie to Oshún, which are cooked and taken to the river. The awo who is a child of this Ifá should only divine with Okpele made from the bark of dried coconuts. When he is going to consecrate them or feed them, he must first wash them with omiero of ewe dun dun, ewe tete nifa and akuelekue (guacalote leaves); Oragun is painted on the board and this is prayed:
«Akuele Le Baba Ofun Oni Lokun. Akuele Le Baba Ofun Oni Barabaniregun. Akuele Le Baba Ofun Oni Leleri Okpele. Kosi Lele Bab Leleri Okpele. Baba Kosi Edane Abinerale Olofin. Awe Ude Okpele Orunmila. Orunmila Eleripin Eti Faw Orunmila Aberuye Olofin Okpele Oni Shawo Gbogbo Osha Ibe Gbogbo Ar Onu Tinbelorun Osha Bire Oy Baw Iki Baye Oni Oku Baba Koyeyeo Jekua Ibi Orunmila Fiedenu.»
Then two eyele are taken (one fun fun and one dun dun) and prayed over above the Okpele. Afterward, this is sung as they are sacrificed:
«Eye Eye Biye Olofin Okpele Bini Shangó Mafun. Eye Eye Unyeo Oragun Okpele Bini Shangó.»
Orí and efun are added, otí is blown over it, it is covered with the juju of the eyele and itana meyi are lit. The next day everything is gathered up and the Okpele is washed again with the same omiero. The ara of the eyele, the juju, the asheses and the wax are collected and buried.
When this Ifá comes out for a person in an osodde, eyerbale is not given to the leri. The following Ifá atena is painted on the ground:
I i i i o o o o i i i i
I o o o i i o o i i i i
I i o o i i o o i i i i
I i i i o o o o i i o i
The atena is closed with a circle of efun, and over the Oddun Oragun the chair is placed; the eyele is fed over the Oddun Oragun beneath the chair. An omiero will have been prepared with guacalote leaves, shewerekuekue, odundun, hierba de la niña, hierba de la sangre, ou, white lily, ewe tete nifa and a little earth. A little of all the ewe from the omiero is taken, together with an obi of water and iye of leri of eya oro (guabina), and that is what goes to the person’s leri. Afterward, with everything from the circle and the rest of the herbs, leri and juju of eyele, the ebbo is made, which goes to the river together with the ara of the eyele. A little of that omiero can be set apart for ebbo misi, which is strained, and an eyele is given to it while singing: «Omo Nere Sheke Iré Ila Obatalá. Om Ire Lara Obatalá Monire Lara Obatalá Eyele Sheke Monire Obatalá.» When this bath is prepared with the leri of the eyele and whatever Ifá marks, apayeru can be made.
When this Oddun comes out in an atefa, two additional hands of inkinis must be washed for the awo, the godfather, the oyubona and the awoses of trust, and an adie given to each hand. When this Oddun is seen, ebbo is made with ewe araba (ceiba) from the east and from the west and eyele meta (one fun fun, one dun dun and one brown). The fun fun is given to Elegbá, the dun dun to Oggún and the brown one to Oshosi.
Here death had a stick called epin (great laurel). One must visit Catholic churches where there are old images and petition them, because in this Ifá speak all the ancestral beings who are now enlightened spirits. When this Oddun comes out in atefa, on the day of iyoye a great deal of ila is whipped and scattered inside the igbodun, and an ewa (chain) is placed at the entrance of the igbodun so that the awo slips and falls. The switches will be of white poplar and he must be struck hard. This is so that he does not resemble the godfather. When this Ifá is seen, the person is told that they have a tumor forming, and Obatalá says that Oshún is the one who has the power to dissolve it. Acun had his stick called ita, but the adie fouled it, and Incan Burucucu had his stick called maru maru, which is the rough stick.
DAY OF THE WEEK: oye aiye (Monday).
PLANET: ashupa (the moon).
METAL: silver.
COLORS TO WEAR: white and silver.
Eshu OF THE SIGN: Eshu Aye Birele Aye.
Born in this sign
- Defenses against attacks.
- Karate, in India.
- Wisdom.
- The pact between illness and death.
- The resurrections of Lazarus and of Jesus.
- The ether.
- The galaxies.
- The senses beyond the body.
- Gray hairs.
- Phenomena such as: monsters, the hydrocephalic, the microcephalic, the acrocephalic, the mongoloid, the cretinous, the lame, the hunchbacked, the one-armed.
- Antiquarians.
- Museums.
- Poor circulation in the body.
- Cancer.
- Internal inflammations.
- All unknown diseases.
- That the fruits and seeds fallen around the plant should germinate.
- Greed for fame and money.
- That only in itá and in itoye is the basin brought to the table by the apetebi.
- The secret that the Babalawo cannot keep the money he earns through Ifá.
What this sign indicates
- That your guardian angel is quarreling with you.
- You have many enemies, but if you give a goat to Eshu, nothing will happen to you.
- Moreover, you will rise little by little, until you become rich and famous, because your guardian angel is going to grant it to you.
- But you will want more than you have been given and, because of your greed, you will end up doing something bad.
- The first time, your guardian angel will forgive you; but the second time, he will kill you.
- You must dress in white; do not sleep naked; be careful with quarrels.
- You seem to be on the run.
- You are a daughter of Oshún.
- You like dancing and you have lost your supremacy in the order of rule, and today there is an overseer who keeps watch on you.
- Your guardian angel is very tired, because you have given him reason to withdraw on account of all the running around you have made him do.
Advice and warnings
- Feed your guardian angel so that he grants you good fortune in money, and so that when it arrives, it is not to your misfortune.
- Do not go out into the street for seven days, because you could be killed.
- Do not step over any hole; cover any hole near your house or the outhouse.
- Do not fight and do not drink clear spirits.
- You must be obedient, set your whims aside and do what you are told.
- Do not fail the Angel of your Guard, and do not ask for so much money.
The traditional reading of this sign also warns about the following:
- In your house there is a sick little one.
- Be careful, for you could lose him.
- Make rogación, because through money death could come to you.
Proverbs of Ofun Meyi
- La sabiduría es la belleza más refinada de la persona. Wisdom is the most refined beauty a person can have.
- Delante de una mujer, nunca olvides a tu madre. In front of a woman, never forget your mother.
- Jabón mojado sobre la cabeza desaparece, pero la cabeza se queda. Wet soap on the head vanishes, but the head remains.
- Los ñames mueren, más la espina de cristo nunca muere. Yams die, but the crown-of-thorns plant never dies.
- Aquel que le robo un gatico a una gata, la maldición de esta lo acompaña. Whoever steals a kitten from a mother cat carries her curse with him.
- El viento dijo: yo no puedo matar al rey, pero le vuelo su sombrero. The wind said: I cannot kill the king, but I can blow off his hat.
- Los ríos se secan, pero la mar no se seca jamás. Rivers run dry, but the sea never dries up.
- La muerte nunca está lejos ni cansada. Death is never far away, and never tired.
- La muerte nunca vomita los cuerpos que come, pero no puede digerir el alma. Death never gives back the bodies it eats, but it cannot digest the soul.
- La muerte no tiene nariz para oler, pero sabe cuál es el rico y el pobre. Death has no nose to smell with, yet it knows who is rich and who is poor.
- La muerte no tiene amigos. Death has no friends.
- El mundo es cabaña del camino, ikú es la meta. The world is a hut along the road; ikú is the destination.
- Cuando la muerte viene la verdad no aceptara ofrendas. When death comes, truth will accept no offerings.
- Cuando ikú no está lista para recibir a un hombre, envía un médico en el momento preciso. When ikú is not ready to receive a man, she sends a doctor at just the right moment.
- El fuego engendra a la ceniza, y el que riega la ceniza, el fuego lo persigue. Fire begets ash, and fire pursues the one who scatters the ash.
Patakíes of Ofun Meyi
The pact between Ikú and Aba Abogeo
There was a man named Aba Abogeo who had many children. His wife became pregnant, and he worried about how he would support another child amid the poverty they faced. The woman gave birth to a boy, and the father decided that no one would baptize him. The devil offered to be his godfather, but Aba refused him. Then death proposed to baptize the child and to help him. Aba accepted the offer. The boy grew up and decided to become a doctor. Death gave him an herb that would cure all the sick, except those at whose bedside she herself was present. The doctor gained fame and was summoned to cure the king, and later the princess. Although his godmother was present in the room, he agreed to cure them because of the tempting offers. Death forgave him the first time, but when he disobeyed again, she took him to a place where she showed him a candle burning down and told him it was the time he had left to live. Death punished him for wanting to save those who were meant to die, and for his disobedience.
Ikú’s descent upon the town
In the land of Ayashe, Nilu Ikú had declared war on the Oba of those lands because he refused to pay her a tribute of one child each month. So every night Ikú turned herself into a black python and entered Ayashe. When the people awoke, panic broke out.
Faced with this abnormal situation, the Oba went to see Orunmila, who cast this Ifá for him and said: «You must make ebó with a staff and a hen, a rooster, a rat, palm oil and fish.» Orunmila made the ebó for him and said: «Give the rooster to Elegbá and the hen to the land of Tumile. Take the staff and keep the hen inside your house so that your life is not in danger.»
The Oba followed the instructions. That night, Ikú arrived disguised as a python and approached the hen, which alerted the Oba to her presence. The python tried to devour her, but the hen spread her wings and the python could neither swallow her nor spit her out, and was left trapped. The Oba killed the python with his staff and worshipped his Ifá.
One eyele is given to Obatalá, and another is anointed with orí, with efun on its eyes and under its wings. It is hung by its feet from the door and, after it dies, it is taken wherever Ifá says.
The daughter of Olofin and the pact between Oro and Orunmila
Ebbo: Akuko, bogbo igui, oroapadi, eku, eya, awado.
Ceremony: The person is dressed in black clothing on the back of which Oragun is painted; sulfur is sprinkled on it, the sign is prayed and the work is announced. Then an ina is lit. Immediately afterward, the Asho Dundún is painted with Otaniko and Orogun. The black clothing is torn from the person and taken to the cemetery. Preferably, it is buried; if not, it is thrown onto a grave. The person bathes with ewe Rabo de Gato and dresses in white. The awo prepares an Aye for himself with the same ebó Misi with ewe Bogbo Rabo de Gato, to which a bullfrog is given, all upon Osain. As a final complement, the person is instructed to develop their dead by setting up a spiritual altar (bóveda) in their house.
OPARALDO: Etu, a change of black clothing, a rag doll, sulfur, aberikunlo, basil, algarrobo, rabo de gato, obi, otí, itana, asho dun dun, efun.
When Orunmila went in search of Olofin’s daughter
Orunmila was looking for his friend Alabashe, who gathered the inkes and knew which were the best. He arrived in Nupe and there he found Alapinu, who was searching for his daughter Omari, who had gone missing in the market. Orunmila promised Alapinu that if he found his daughter he would give her to him in marriage, and Alapinu accepted.
Orunmila went to the market to look for Alapinu’s daughter, and he was told that she had been seen three days earlier, but no one knew where she was. Orunmila consulted Ifá and discovered that a strange figure appeared to be a gentleman in disguise and had vanished with her. Orunmila waited and saw a slender man arrive at the market who struck him as strange. The man bought a few things and left along a road that led to the cemetery of Ebuseun Eku. Orunmila followed him and discovered that it was Oro in disguise. Oro made his way to a hole beneath a ceiba, where Omari was bound with a chain and guarded by a Caravela.
Orunmila sprinkled a little sulfur over the ocoun of Orogun that he painted on the ground and lit it, and the smoke lulled the Eggun guarding Omari to sleep. Then Orunmila freed Omari from the chain and they escaped. But the Aye tied around Omari’s neck could not be removed, for if they cut it, they would also cut her throat. This Aye sounded like an instrument of gold, and Oro’s guardians could track the fugitives by that sound. For this reason, Orunmila and Omari had no safe place to hide.
Orunmila consulted Ifá again and discovered the right Ebó for his problem. He placed it at Itá Meri (crossroads) and heard the footsteps of Oro approaching. Oro told his guardians that the two could not escape because of the Aye, but Orunmila knew how to cut it. He had discovered that he must wash it with the herbs Otialogo Rabo de Gato and Ewe Igbagbo, and feed it with Akaere (the great bullfrog) and a chick in a jícara (gourd bowl) so that it could speak. Orunmila prepared everything and saved Omari, defeating Oro’s guardians. Oro recognized Orunmila’s cunning and made a pact with him so that he would keep his secret.
The path of Olokun’s secret
There was once a hunter going through a streak of bad luck who could not catch any prey in the bush. One day, a stranger approached him and offered help, giving him an object he was to keep secret in his home. From that moment on, the hunter’s luck changed and he began to succeed in his hunts.
However, the hunter’s wife, curious, sent her children to spy, and they discovered the secret object, dying immediately after seeing it. The wife, full of grief and remorse, sought help from her husband, and together they remembered the stranger’s counsel: that he was Olokun and that he could help them in difficult times in exchange for something presented as an offering.
The hunter offered an Eya Oro, a kind of fish, to Olokun to revive his children, and placed it upon the secret object. The children came back to life, and in gratitude the hunter carried the Eya Oro back to the place where he had caught it.
This story underscores the importance of keeping faith and trust in difficult times, and how offerings to the divine beings can bring blessings and solutions to problems. It also shows the danger of curiosity and of disrespect toward sacred traditions and secrets.
The dispute between Shangó and Obatalá
There was once a time when the earth was without government, and a fierce dispute arose between Shangó and Obatalá over the right to rule; so intense was this dispute that Shangó challenged Obatalá to decide, both armed with axes, who would govern the world.
Obatalá, weary of so much arguing, accepted the challenge, but he knew he would lose against Shangó, who was younger, stronger and faster. Obatalá went to the house of Orunmila, who cast this Ifá for him and prescribed a rogación with: akuko meyi, asho funfun and dundun, melon seeds, the ingredients and owo. He told him to give one akuko to Eleguá and the other to Oggún, so that he would win the contest.
Elegbá, upon eating the akuko, said to Obatalá: «My father, let us go and speak with Oggún so that he makes the axes for the duel.» They went to Oggún’s house and, upon arriving, Obatalá gave him the akuko, and Oggún said: «Do not worry, you will not lose that fight.» Elegbá and Oggún prepared the axes for Shangó’s fight. They gave his a split handle, but in such a way that he would not notice the trick.
When the day of the fight arrived, Olofin presided over the contest and gave the order for the fight to begin. Obatalá took the good axe and Shangó took the other without noticing anything unusual. Shangó struck two powerful blows on the ground, knocking Obatalá down, and as he prepared to deliver the third, the axe handle snapped — an opening Obatalá seized to throw him to the ground and force him to surrender.
Olofin, seeing the outcome of that fight, said to Obatalá: «From this moment on, you shall govern here on earth,» and Shangó, hearing Olofin’s word, knelt before Obatalá and said: «Your blessing, my father,» and Obatalá granted it.
Some time later, Shangó learned from a son of Obatalá of the trick that had been played on him and, filled with rage, climbed a palm tree and began to unleash his curse upon the earth.
Through this path were born the luminous phenomena, the curse, and the defiance of the younger against the elder. The owner of this Ifá must give an abo to Shangó to appease him, and cannot trust even his own children.
The pact between Ozain Arugbo, Aira and Olokun
Prayer: Babá Oragun Awa Ayewa Babá Aika Babá Arewo Oni Bashe Babá Aika Omi Omolorun Aun Abimi Abeke Leda Obi Efun Oun Abati Obi Efun Oun Ozain Arugbo Ebbo Kuru Omo Aboku Ebbo Aboku Eyele Eko Eku Ayapa Awado Orí.
This story shows the importance of recognizing and honoring the four great powers that sustain the world, and the dangers of war and discord among the powerful.
In the land of Iyeya lived three very powerful figures: Ozain Arugbo, Aira and Aboku. Each of them had great abilities and loyal followers. However, the rivalry and fighting among their children and devotees threatened to unleash a great war.
To resolve this situation, the three figures went to the king of the land, Oragun, who advised them to make an ebbo and seal a pact to end the war. So they did, and before Olofin they sealed the pact using the power of sorcery, the power of Orisha, the spiritual power and the power of Ifá, represented by Oragun.
This story reminds us that, although each of us may have abilities and powers, it is important to work together in peace and harmony for a better world. And that is why the awo cannot underestimate or ignore the importance of the four great powers that sustain the world.
The pact of Oduduwa, Orunmila and death
In the earliest times after the creation of the world, Orunmila and Oduduwa were two brothers who loved each other dearly and lived in Ife, where poverty was widespread. One day they decided to emigrate to distant lands, each with his daughter. Orunmila brought Paraye and Oduduwa brought Oloshe, both daughters of Oshún.
After passing through many lands, they came to a forest where Orunmila and his daughter grew hungry. Oduduwa went off to hunt while Orunmila looked after Oloshe. Finding nothing to hunt, Oduduwa cut a piece from his own tongue, cooked it and gave it to Orunmila and his daughter so they could eat.
After this act, Oduduwa placed a piece of obí in his mouth and could speak perfectly. They continued their journey and came to an arid place. The loss of blood and the exhaustion weakened Oduduwa, who asked Orunmila to continue along the road and find the river Niger while he recovered.
Orunmila discovered that Oduduwa’s wound was in fact his tongue, and understood his sacrifice. Using Iyefa, a magical medicine, he stopped the bleeding. They reached the river Niger together, where Orunmila decided to set off in search of fortune, leaving his daughter Paroye with Oduduwa.
After some time, Paroye fell ill and died. Oduduwa, in despair, killed his own daughter and buried them together. The next day, Orunmila arrived to visit him and asked after Paroye. Oduduwa, full of grief, told him that Paroye had died and that he had killed his own daughter so that she would accompany Paroye in death.
Orunmila took Oduduwa to the girls’ grave and used his power of divination to call Orun, the Okunrin of Kukuto, death. Together they asked Orun to restore the two girls to life, promising in exchange to honor him. Orun accepted and the girls came back to life.
This Ifá explains why Oduduwa speaks through Ifá.
Oduduwa, Orunmila, Paroye and Oloshe each stood upon one of the cardinal points.
Here is explained why the itá of Oduduwa is done by means of the inkines of Ifá; why all the awoses present eat of the tongue of Oduduwa’s Eure; why the akuko of Eggun and Oduduwa are buried in the pit at the foot of the ceiba; and also the reason for the pact with death. Oyekun Meyi represents Kukuto, and Oragun represents Orun. Ogunda Fun represents Oduduwa, Otura Niko represents Orunmila and Okana Juani represents Eshu, who is the true one who seals the pact, for he arranges and undoes at his pleasure; and the sign Oshe Tura is set so that what is begun is not finished — that is, what was pacted.
The curse of Orunmila’s mother
Prayer: Iremi Yabo Iremi Yaya Adifafun Orunmila Adifafun Oggún Adifafun Shangó Oggún Oshosi Adifafun Osun Adifafun Olokun Oba Arugbo Okoro Ayare Adifafun Ela.
Ebbo: Un abo fun fun, un Tamborcito, owo la mesan.
Orunmila helped Olokun to expand and gain greater riches. To achieve it, however, Orunmila had to sacrifice a little old woman who turned out to be his own mother.
After receiving word from Olokun, who wished to grow larger and had many riches but was very confined, Orunmila agreed to help him. Then, together with other Saints such as Elegbá, Oggún, Oshosi, Shangó and Ozain, they broke open the lands so that Olokun would have more breadth and be inhabited by unknown beings.
But Orunmila saw in an Ifá that he was going to encounter something old belonging to him, and he asked Olokun to give him an old woman he kept in his house, in order to kill her. Olokun consented and handed over the little old woman, who turned out to be Orunmila’s mother.
Along the way, Orunmila killed the abo of the ebbo he was carrying to feign the old woman’s death, and asked Olokun’s servants to report that he had already carried out the task. But the old woman walked very slowly, and Orunmila, fearing discovery, touched her on the shoulder and asked her to walk faster.
The mother misread this as a gesture of violence and cast a curse upon him: «As long as the world is the world, your children shall have to strike you so that you may speak.» Orunmila felt deeply burdened at having been unable to prevent his own mother’s death, but he knew he had to fulfill his task to help Olokun.
Olorun’s creation
Ebbo: Akuko meyi, eyele meyi, aguema meyi, malaguidi okan, inle nigbe.
In ancient times, Olorun created four men and two women, and soon they began to have children who died. The people asked themselves why this was happening and decided to seek another god to worship and thus save their children.
Two of the men were Awoses, Abete and Asipelu. They consulted their Ifá and saw a sign indicating that they should worship Orun. The Awoses told the people that they must feed him every day and dance, sing and clap before his secret.
In time, the number of inhabitants on the earth grew. One day they wished to have an oba and swore him in before Orun. The oba sacrificed a bull and the people sang and danced. But the oba wondered how a simple piece of carved wood could say «baba mamu» as it spun. Orun fell silent upon seeing that the women were present, for he cannot speak in front of them.
The Awoses, now old, explained that women may not be present when Orun is going to speak, and that the erumole is the oba of heaven. The oba concluded the ceremony without the women present.
This is why women may not have or receive Orun.
The land where it was always night
The king of the land of darkness had an intuition that there existed a land where there was light, and he decided to send his eldest son in search of it. The young man set out on a long journey, carrying food and weapons for his defense, sustained by his father’s faith that at the end of the road he would find the land where there was brightness.
However, after a long time with no news of the eldest son, the king decided to send his youngest son to look for him. The young man made sure to be well armed, for his father warned him that in those lands there were ferocious beasts, such as the fearsome tigers.
After a long time without word of his youngest son, the king decided to undertake the search himself. Armed with arrows, spears and provisions, he faced every danger he met along the way, including the enormous tiger that attacked him by surprise and which he managed to defeat.
At last the king reached the land where there was brightness, where he ruled with strength and resolve until he was betrayed.
Here begins the power of Ejiogbe (ejiorden), so called because it was night and neither light nor brightness was known.
Ofun Meyi (Oragun)
Ofun Meyi, who in heaven was called Oragun Deyin Ekun, was the eldest son of Orunmila in heaven. He was originally the first Oddun to come to the world, but we shall see the circumstances under which he returned to heaven, only to become the last of the olodus to come to the world. It was he who revealed that it took the Almighty God six days to complete his works of creation, after which he rested on the seventh day. We will read more of this story shortly. In the meantime, we shall examine some other important works associated with Ofun Meyi in heaven.
Ofun Meyi reveals how long it took God to complete his work of creation
The difficult problem that was peacefully resolved in the end was the name of the awo who made divination for Oggún, Olokun, Orunmila and all the other divinities. He advised them to make sacrifice to their guardian angels over a period of six days, in order to rest in peace and tranquility on the seventh.
Orunmila asked why the sacrifice had to last seven days instead of one. The awo replied that it had taken Olodumare (God) six days to create the earth, the seas, the atmosphere, the plants, the animals and humankind. The reason God created all organic and inorganic matter before creating the human race was to provide shelter for man, water for him to drink, food to eat, air to breathe, and so that he could devote himself to a tranquil life in heaven from the seventh day onward. He revealed that God rested on the seventh day after completing the creation of the divinosphere.
He told them that, in keeping with the precedent set by God in creation, it would take six days to complete the initiation ceremony of any priest, and that the priest must clean the house and rest on the seventh day. Only through this process would the sacrifice manifest.
Orunmila asked again whether a ceremony lasting seven days would not give rise to arguments and confusion during the period of the ceremony. The awo replied that fights and discord are forbidden during the initiation ceremony.
Orunmila takes over the authority of all the other divinities
Ofun Meyi also reveals how Orunmila was able to collect and turn to his own use all the instruments of authority (ase) given by God to all the divinities. He does so in the following poem:
«Okiti Kpukẹ, Awo Ena-Ono, Adifafun Orunmila, Migbati Ofẹlọgba Aya Gbogbo, Erúmọlẹ lọwọ Oggún.»
Oggún, the divinity of metal and the most ancient of all the divinities, was the custodian of all the ase (instruments of authority) given to them by Almighty God. This means that any divinity wishing to use its instrument of authority had to go and fetch its own from Oggún.
Meanwhile, Orunmila, the divinity of wisdom, devised a plan to take all the powers away from Oggún. To this end, he went to see Okitikpue, the diviner of the roadside, who told him he would succeed if he could make sacrifice with a sheep, a pigeon and a horsetail whisk. He accordingly made the sacrifice.
Having made the sacrifice, he set out to pay a visit to Oggún’s house. Upon arriving there, he told Oggún he had come to visit him. After the customary exchange of courtesies, he told his host that he had in fact come to collect all the powers of the divinities held in his custody, reciting the following incantation: «A small child does not refuse its mother’s milk. The bird does not refuse the invitation of the corn. The penis does not refuse the invitation of the pelvis. One cannot ignore the bite of a serpent. No one resists the invitation of a cough. No one ignores the sting of a scorpion. The earth cannot refuse the rays of the sun. Cloth does not refuse the attack of a needle. No one can stop the cat from hunting mice. No one disobeys the cry of nature. Even you, Oggún, cannot resist the visit of a dog.»
As soon as Ofun Meyi finished pronouncing the incantation, Oggún, without so much as hesitating, went to his chest, took out all the ase and humbly handed them over to Orunmila. Orunmila, with all the powers secured in his hand, departed. As soon as he reached his house, he swallowed all the ase. All this time, Oggún acted as though he were in a trance. It did not occur to him to ask Orunmila why he had come to collect the powers.
Five days later, Oggún realized that he no longer had the powers. After searching his house to see where they were, he remembered that the only divinity who had visited him in the past five days had been Orunmila. He decided to go and see him, since he did not know how to explain the loss of the powers if any of the divinities came asking for theirs. When he arrived at Orunmila’s house, he asked him what he had come to do at his house during his last visit. More pointedly, Oggún asked Orunmila whether he had been the one who had come to take from him the strength of all the divinities. When Orunmila understood that Oggún had no clear memory of what had happened when he carried off the powers, he decided to take advantage of Oggún’s temporary mental haze: Orunmila denied having visited Oggún, much less having taken any power from him. Rather dejected, Oggún walked disconsolately back to his house. Thus it was that Oggún lost all the powers of the divinities to Orunmila, who, though one of the youngest among them, from then on became the most powerful of all. When Oggún left Orunmila’s house, Orunmila intoned the following song: Shigo Shigo Agoten, Mukomi Ton Kio To Shiiyere, Shigo Shigo Agoton.
This is why, when this oddun appears in divination, the person is told to make a sacrifice in order to avoid the risk of losing a treasured possession to a stealthy schemer.
Ofun Meyi sets out for earth
In heaven he was called Oragun Deyin Ekun. As he contemplated his coming to earth, it was said of him that he was very hot-tempered and harsh. His guardian angel told him that if he did nothing to soften his bad temper, things would not go well for him on earth. So he decided to seek divination and went to see a diviner who had no limbs. Her name was Ugbin Eenowo EEnose Ejo Kodu Kodu, which means: the snail has no arms or legs, the serpent moves upon its belly.
She advised Oragun Deyin Ekun to make sacrifice in order to prosper on earth, for he was going to be a man of many fine gifts as long as he was able to control his temper. She advised him to serve his Ifá with 16 cowries, which would soften and temper his aggressiveness. She also advised him to serve Esu with a goat.
He made the sacrifices and received the approval of God and of his guardian angel before setting out for earth.
The birth of Ofun Meyi
He was born the son of a king, who named him Adeabaye. Even as a child, he had the rare gift that everything he said came true. He was the king’s last son, and everything he asked for was granted to him. As he grew into manhood he became a very dictatorial being, in the habit of listening to no one’s advice. His wishes were law and he insisted on always having his own way. After his father’s death he became king of his father’s territory.
His reign was marked by extreme arbitrariness and tension. His people endured severe stress and mental anguish. When the situation became too hard to bear, the people gathered and told him defiantly that they could no longer tolerate him as their king. As if giving substance to the plot brewing against him, he too agreed to abdicate his throne. In all this time, he had neither wife nor children.
Ofun Meyi returns to heaven
Ofun Meyi was also deeply displeased with his inability to succeed on earth, and decided to return to heaven to investigate his problems. During his return journey he met the woman without limbs, who had made divination for him before he left heaven, but he did not recognize her because he had lost all memory of what had previously happened there. Otherwise, he would not have ignored the advice received before leaving that place in the first instance. He was startled to see the strange creature with neither arms nor legs, and drew back in terror. The woman beckoned him to come closer instead of fleeing. He approached reluctantly. The most repellent thing about the woman’s appearance was that she was also afflicted with leprosy. On seeing her state, he exclaimed eekpa in horror. To this day, this is the traditional exclamation as soon as Ofun Meyi appears in divination. Nevertheless, the woman begged him to make divination for her, for she suspected that he was a priest of Ifá. She told him that the two things she most desired in life were to cure her affliction and to have a child. He then took out his divination instrument and divined for her. After the divination, he told her that if she could make the necessary sacrifices she would recover and would also have children. She was to make sacrifice with three goats, three hens, three pigeons, three snails, three rats, three fish, three bitter kolas, three kola nuts and three yards of white cloth.
After carrying the woman on his back, Ofun Meyi and she approached the junction of the three roads. The woman explained to him that, because of her condition, not only was she forbidden to live in the town, but she also had to travel only by night. At that moment they met a man named Ashipa, who was the keeper of the junction of the three roads. With his help, they opened a path through the undergrowth and built a hut on the spot. Following the woman’s instructions, the hut had no door, and the only way to find the entrance was by locating the tree of life (Ako Ako in Yoruba and Ikhinwin in Bini), together with a palm frond tied to the hut.
After settling the woman in the hut, Ofun Meyi asked her how he could see her if there was no entrance. She taught him the incantation he must recite; then he was to press his back against the wall beneath the palm frond and the door would open to let him through. He was to say «Oro oyin kiimu eyo, eekpa- aikoro lule awo». Before leaving the woman, Ofun Meyi discovered that she had only one breast. The hut was called Ile-odi, popularly known today as Iledi. Before continuing his journey to heaven, Ofun Meyi visited his close confidant Akpena, who had been seeking a wife. After telling him of the woman’s condition, he asked him whether he was prepared to marry a woman with such deformities. Surprisingly, Akpena decided to go and meet her. After this, Ofun Meyi asked Akpena to gather everything needed for the sacrifice, and the two set off for the hut to perform it. After the sacrifice, Ofun Meyi formally introduced Akpena to the woman. Before the woman agreed to become Akpena’s wife, she brought out a mysterious wand upon which he had to swear that he would never reveal her condition. She also said that if any other person came to the hut for any reason, that person must be blindfolded so as not to see her state. The only exception was Ofun Meyi and all the other priests of Ifá after him. Before anyone else could see her, the same oath of never revealing her condition had to be sworn by that person.
Ofun Meyi returns to heaven for the second time
As soon as the sacrifice was performed, the woman who had been crippled was healed of her leprosy, and her beauty as a young and lovely woman became plain. After this, Ofun Meyi decided to continue his journey to discover the cause of his mysterious problem.
Upon reaching heaven, he went straight to the house of the crippled woman, priestess of Ifá, who had previously divined for him. The woman, however, was nowhere to be found. His guardian angel told him that the woman had departed for earth, and advised him to do whatever it took to locate her, because she was the only one who could make him prosper on earth. It was then that he understood she was the very woman he had just settled in the hut on earth.
He quickly returned to the world. Ofun Meyi was the first of the Olofus, or apostles of Orunmila, to become king on earth, because he was the first to arrive there. He had fallen from grace on account of his dictatorial tendencies. During his second journey to earth, he became the last of the 16 Olofus of the genealogy of Ifá, after Ejiogbe and the others had come. This did not happen, however, until he re-established contact with the woman, to whom it now fell to perform divination for him. After the divination, the woman told him to make sacrifice with two pigeons, black cloth, a walking cow, pounded yam, kola nuts and cowries at the crossroads, and that he would become king again. We shall see later how the sacrifice benefited Ofun Meyi.
Ofun Meyi’s second coming to earth
When he came to earth for the second time, he devoted himself to practicing the art of Ifá, specializing in the preparation of good-luck amulets for the people. Thus it was said of him:
Ofún Lofueni Owó, Ofún Lofueni Omó, Ofún Lofueni Ayá.
Which means: this Ofún Meyi is responsible for providing assistance to those who wish to gain the benefits of money, marriage and children. He was a skilled benefactor in these matters. Even so, he was despised and ridiculed by his people, who considered him fallen from grace. He, however, answered these taunts by warning the people not to torment him unjustly, because he still had the means to bark and to bite in response to provocation.
Despite his warning, many presumptuous people went on belittling and tormenting him. He began to destroy those who were discrediting him. When the people started to feel the fury of his reaction, they began to fear him. Meanwhile, he decided to seek divination, where he was advised to abandon his aggressive stance. The awoses who made divination for him on this occasion were:
Afuye Omo Aje, Ewon Bale Lowoji, Odidere Awo Agbado, Elomon Biriti, Babalawo Edu.
They told him to make sacrifices for peace, prosperity, wealth and long life. They performed all the sacrifices for him, and in time he grew so rich that he ended up becoming the Orongun of Iya Orongun. He likewise lived to a very advanced age. It was said, however, that his friend Akpena, who married the crippled woman, finally settled in Itagbolu, where the shrine exists to this day.
Works and ebbó of Ofun Meyi
Works of Ofun Meyi
- Work for development
- A raw ishu: the person is cleansed with it, the apetebi is cleansed with it, and it is placed where there are ashes. This is an Ifá of Oma. Iré boni boye orí: someone is coming along the road to become an awo. Everything else depends on you.
- Work
- When the awo sees this Ifá, he takes an iba and dissolves an eko with ewe tete and odun dun and orí; before and after the rogación he places the okpele inside the iba, and from it drink all those present and all who come in from the street.
- To make a pact with Ikú
- A doll is carved and placed upon an Ashe fun fun with 16 cents and filings of all the metals; Oragun is prayed, 2 osiadie are sacrificed to it, the person is cleansed, and it is buried in the cemetery.
- To make a pact with Ikú (another variant)
- An agboran is carved from algarrobo or flowering piñón; sixteen cents and filings of all the metals are placed on it. The awo is cleansed with osiadie meyi: one is given to the doll, which is placed on the asho fun fun and sent to be buried in the cemetery. With the other osiadie, oparaldo is performed. The agboran lives with the awo’s eggun in his house.
- To raise up health
- Sea water is taken, together with red mangrove and the bone of the index-finger phalanx of a dead person, as iye. That iye is put into a clay ikoko and placed beside Ozain, and a white akuko is given to it, letting ewerbale fall on the ikoko and on Ozain. The number of days it stays beside Ozain is asked, and afterward the person bathes with it.
- Ebbo so that money does not kill him
- Eya tuto, eyele meyi for his head.
- To dissolve a tumor in formation
- For this, an Elegguá is taken and five holes are opened in a circle on its upper part, and each is loaded with: the person’s name, hair from their body, sweat-soaked clothing, eku, eya, eko, awado, eru, obi kola, ori, oñi (honey). In each opening a spike of guin de Castilla is placed. It is then dressed in yellow asho and set before Oshún, lighting two itanas for it on the days that are marked.
- For when this Ifá is seen in a descent of Orunmila
- All the iyefa from the board is poured into an igba with omi tutu, saying: Oragun Adele Nifa Mori Mowe. An igba is prepared with orí and efun as iye, and osun, and an eyele is given to it. The Oddun Oragun is prayed, and afterward, with this preparation, three lines are painted behind the shilikun ilé of the awo. Then a little of it in a small flask is handed to the person concerned so that, when they reach their house, they paint three lines behind their door.
- Work to eliminate the arayes
- Two itanas are lit for eggun and six for Shangó. The back of the person concerned is bared, and they stand with their back to Elegguá; around them both, eight lit itanas are placed, along with an iba of sarao de eko. An awunko is given to Elegguá together with his akuko. Obi omi tutu is given, and the person concerned offers sarao de eko to all present. The owunko is skinned and quartered right there, and its flesh is sung over while touching the person’s back with it. Everything goes to the bush. Afterward, gummy herb is scattered at the door, and the next day it is washed down.
- Ebbo to be freed from one’s enemies
- A goat: when the rogación is finished, the person undresses before Eshu, asks for what they desire, the goat is killed and set to face their enemies, Ifá Imbreriaye. When Obatalá goes out into the street, the awo walks ahead of her and Shangó walks behind, clearing her path, because Obatalá must be looked after so that she does not take too much sun or drink clear spirits.
- Ebbo for the little one
- It is asked whether the animals of Babá must be offered; a jícara is taken and an eko is dissolved with white veil, prodigiosa and orí, and before and after the rogación the ekuele is placed inside, and all who come in from the street and all who are in the house must drink of that sarao.
- To save the awo from arun
- Orugbo with: igi meta (agüedita, jaguey and rompe hueso). When ebbo is made through this Oddun, the officiating awo will wear an ide of Obatalá. An iba is taken and an eko is dissolved with omi and ewe tete and odun dun; before and after the rogación the okpele is washed, and all those present will drink, as will all who keep arriving while the ebbo is being made. When this Ifá is seen, sarao de eko is prepared with river flax; a little is set before Elegguá and Obatalá and the rest is scattered through the house. The house is sprinkled with omi tutu, iyefa, ewe dun dun and iye of eya oró, and Ifá is sprinkled as well. The iyefa of this Ifá may never lack eya oró or orugbo. In this Ifá speaks the realm of abiku. A wake is held with a doll inside a little box and a mat, and twelve candelabra of sweet oranges are set out, with asho pupua, dun dun, fun fun, agbado, eku, eya, otí pupua, otí fun fun, gin, beer, cheese, sweet crackers, chocolate, coffee.
After the wake, everything is taken up and carried to the ile Ikú, paying $1.05 to the one who carries it to the cemetery, or whatever Orunmila marks. Beforehand, an omiero is made with iye of Orunmila so that all those present wash their hands, face, arms and the backs of their knees, and the one who carried it to the cemetery will do the same upon returning. As for the owunko keke, Orunmila is asked whether it is set loose alive or kept to be raised.
- Working Oragun from the front
Ingredients of the ebbo: akuko, eyele, etu em aboreo, but not a single drop of eyerbale may be spilled. Afterward, one must keep vigil all night at the side of the person concerned. Two adie, one akuko, but first Orunmila is asked whether he authorizes the work to be done.
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3 rayas de i i efun.
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Prayers and suyeres of Ofun Meyi
Liturgical material transcribed from the source manuscripts; it is preserved verbatim.
Prayer
Babá Ellegun Sigun Jecua Babá Oragun Cawo Cawosile Eni Babá Ala Babaluche Babá Omo Lorun Animu Aún Nicu Lodafun Obi Afantiche Omo Icu Ebbo Tete Eyele Meyi Aikordie Itana Obi Eku Eya Epo Abeca Owo.
Prayer
Babá Orafun Caiosile Oni Lache Babá Omo Reun Omo Orubo Collamoro Ache Quinche Omi Ikú.
Prayer
Orunmila adifalloco adifafun Obatala igua omo erun omo orubo collamoro ashe obatala achomo tara oque oguali guallu kuite kola morco kafeque.
Prayer
Babá Ellefun Llegun Jekua Babá Jekua Babá Oragun Kabiosile Oni Bache Omo Olorun Miomio Olorun Abimo Aún Icu Lodafun Obi Afantiche Omo Ikú Oche Llegun Odafin Dodo Umbati Lochorun Orisha Iba Ocunle Ebican Lonlo Coma Dereu (habla Yewa, Jekua, Babá).
Prayer
Orofun Mafun Yewede Ofun Lara Obiri Efururu Lakoku Efururu Lakoke Okere Orishadi Araye Kowedo Bi Baba Orolu Awa Ni Komio.
Prayer
Ashe Oluzo Oluzo Loboka Oluzole Lobere Oluzole Lobi Opolo Igbin Laboka Loka Yogun Oro Bi Lañere Ese Yogun Orun Ibi Opolo Yogun Egui Ayali Popolo Dafe Eko Ebe Eko Bofenu Lole Ayarun Akuko, Adie, Abere, Iniaba, Omi Ifá Ni Eggun Babá.
Iyesa prayer
Haba Awa Eyegun Jeri Jekua Babá Arowo Oniboshe Babá Emi Omo Olorun Oun Oma Abimo Oloku Loda Obi Efan Umbati Obi Efan Oun Arugbo Ebbo Nuru Omo Abokun. Oragun Minikun Oriwal La Ona Guru Guru Moba Kpui Minu Moba Kpui Yeye Moba Kpui Nikabo Kuan Tara Tara Miwafun Asho Howorubo.
Prayer
Iré Nishe Iya Elegba Ire Nishe Iya Oggún, Iré Nishe Iya Oshosi, Iré Nishe Iya Osun, Iré Nishe Iya Gbogbo Orunmale Ayokotun Gbogbo Orumale Yokosi Baraba Nigerun Adifafun Orunmila.
Peregun Alawa Lo Tun Tun.
Peregun Alawa Lo Tun Tun Baba De Malo Afibo Mini.
Peregun Alawa Lo Tun Tun.
Orun Jun Jun Awa Mi Mokio.
Orun Jun Jun Awa Mi Mokio.
Orun Jun Jun Orun Jun Jun.
Oraye Yeyeo Oraye Nitoworo Nita Nita Woro Ay Il Gogo Ayai Gogo Ayai Agogore.
Kaye Rereo Olowao Kobalokun Ota Oba Yareo Omo Shangó Olabao Egushe Arere Ripin Olalekun Oba Yareo.
This says: from the ota were born silver and paper. It means: paper money and metal coin; and Olofin said: «this they will come to love more than me.»
Orishas in this sign
The orishas that the letter itself links to this sign, according to what the source records:
- Elegbá — An awunko is given to Elegguá together with his akuko.
- Eshu — Eshu OF THE SIGN: Eshu Aye Birele Aye.
- Obatalá — In this Ifá speaks an Arará Obatalá called Biñose.
- Oshún — It is then dressed in yellow asho and set before Oshún, lighting two itanas for it on the days that are marked.
- Shangó — Eye Eye Unyeo Oragun Okpele Bini Shangó.
- Oggún — The fun fun is given to Elegbá, the dun dun to Oggún and the brown one to Oshosi.
- Orunmila — 05 to the one who carries it to the cemetery, or whatever Orunmila marks.
- Oduduwa — She is the daughter of Oduduwa and of Essugbe.
Other aspects of the sign
Ewé of the sign
Farolito, tamarind, flowering piñón, levántate.
The Eshu of the sign
Mother of the Elegbara. Mother of Iñagui. It carries 101 cowries of the Saints, which are washed and separately given an ayapa and three jío jío. From the ayapa, the flesh is removed, along with the first bone of each leg, the neck bone and the tail bone, and these are placed on top of the cowries. The load with which it is charged is prepared with 21 ataré, agbado, beads of all the Saints, a slug with its shell, earth from a leaf-cutter ant nest, 7 peonies, ilekan, earth from a hill, sea sand, river sand, earth from the four corners, from the marketplace, from the cemetery, from the foot of a dead tree, from a church, 4 inkinis, powdered leri of aya, of the four paws of the aya, leri of gungun, of eya-oro, of eku, of ekute, of akuko, of jío jío, of a bat, of the horn of a malu, juju of akuko, of aikordie, of eyele, eggshell of eñi, of adie and of hatched eyele, obi motiwao, obi kola, eru, arida, root of atinpola, of ceiba, of jaguey, of royal palm, of jobo, of cuaba prieta, ewe oriye, curujey, atinpola, white, red and carbonero bledo, cardo santo, ewe ayo, ewe shayo, ortiguilla, ewe ina, leaves of climbing yam, mastuerzo, aroma, peony leaves, ewe pata de gallina, 21 different sticks and three young eyele that are given to the load.
Baths of Ofun
These are according to the Oddun that accompanies Ofun, e.g. Io–o rooster, io–i jicotea.
Io oo oo io io oo io oo io oo oo oo io io io oo
Ii oi ii oi ii oi oi oi ii ii ii oi oi ii oi ii
Io oo io oo oo io oo oo io io oo io io oo io oo
Ii oi oi ii oi ii oi ii oi ii oi oi ii ii oi ii
As a first step, a white eyele is taken; orí and efún are smeared under its eyes and wings, and with its wings open it is hung by its feet beneath or behind the door. The upper canopy is kept this way throughout the whole work. When it is finished, one inquires with the Saint until it is determined what is to be done with it: whether it is given Osha, left there until it dies, or considered for release into flight.
In a wooden tub, the sign of Ofun that came out is painted (in another branch, all the efunes are set out). The tub is lined with a sheet around its edges. Around it are placed the plates, each with a coconut and a lit candle, one plate with the shredded herbs of verdolaga, bleo blanco and cachanchán, and another plate with efun and orí. Also set out are a plate with the balls of orí, another with efun, and a plate with omiero of verdolaga, bleo blanco and cachanchán.
1.- The person steps into the tub fully dressed. There they are undressed so that they stand on their clothing. Then, over their head, the animal is killed, letting all the blood run down their body.
2.- The 10 balls of herbs are rubbed over their body.
3.- The 10 balls of efun with orí.
4.- The 10 balls of orí.
5.- The 10 balls of eggun.
6.- They bathe with the omiero of the herbs.
7.- They dry off with the sheets.
8.- Obí is given to see how everything has gone.
9.- What remains from the bath is bundled up with the 10 obi and the 10 candles. It is then sent to a tree or to a stony hill. Afterward, the person’s leri is prayed over with whatever the Saint indicates.
Oragun Meyi Orunmila Adifalloco Lodafun Obatalá Kua Shangó Sha Obatalá Dice Ebican Lolo Oggún Shure Shangó Shure Oyure Obatalá Igua Omo Igua Osa Omo Igua Osa Omo Obatalá Ashe Oluo Shorere Shangó Oggún Guali Guayu Eniti Kuiticola Olordumare.